There is no such thing on earth as an uninteresting subject; the only thing that can exist is an uninterested person. Nothing is more keenly required than a defence of bores. When Byron divided humanity into the bores and bored, he omitted to notice that the higher qualities exist entirely in the bores, the lower qualities in the bored, among whom he counted himself. The bore, by his starry enthusiasm, his solemn happiness, may, in some sense, have proved himself poetical. The bored has certainly proved himself prosaic.

We might, no doubt, find it a nuisance to count all the blades of grass or all the leaves of the trees; but this would not be because of our boldness or gaiety, but because of our lack of boldness and gaiety. The bore would go onward, bold and gay, and find the blades of grass as splendid as the swords of an army. The bore is stronger and more joyous than we are; he is a demigod--nay, he is a god. For it is the gods who do not tire of the iteration of things; to them the nightfall is always new, and the last rose as red as the first. Heretics

 
The only two things that can satisfy the soul are a person and a story; and even a story must be about a person. There are indeed very voluptuous appetites and enjoyments in mere abstractions like mathematics, logic, or chess. But these mere pleasures of the mind are like mere pleasures of the body. That is, they are mere pleasures, though they may be gigantic pleasures; they can never by a mere increase of themselves amount to happiness. A man just about to be hanged may enjoy his breakfast; especially if it be his favourite breakfast; and in the same way he may enjoy an argument with the chaplain about heresy, especially if it is his favourite heresy. But whether he can enjoy either of them does not depend on either of them; it depends upon his spiritual attitude towards a subsequent event. And that event is really interesting to the soul; because it is the end of a story and (as some hold) the end of a person.

Now it is this simple truth which, like many others, is too simple for our scientists to see. This is where they go wrong, not only about true religion, but about false religions too; so that their account of mythology is more mythical than the myth itself. I do not confine myself to saying that they are quite incorrect when they state (for instance) that Christ was a legend of dying and reviving vegetation, like Adonis or Persephone. I say that even if Adonis was a god of vegetation, they have got the whole notion of him wrong. Nobody, to begin with, is sufficiently interested in decaying vegetables, as such, to make any particular mystery or disguise about them; and certainly not enough to disguise them under the image of a very handsome young man, which is a vastly more interesting thing. If Adonis was connected with the fall of leaves in autumn and the return of flowers in spring, the process of thought was quite different. It is a process of thought which springs up spontaneously in all children and young artists; it springs up spontaneously in all healthy societies. It is very difficult to explain in a diseased society. A Miscellany of Men

 
The man who makes a vow makes an appointment with himself at some distant time or place. The danger of it is that himself should not keep the appointment. And in modern times this terror of one's self, of the weakness and mutability of one's self, has perilously increased, and is the real basis of the objection to vows of any kind. A modern man refrains from swearing to count the leaves on every third tree in Holland Walk, not because it is silly to do so (he does many sillier things), but because he has a profound conviction that before he had got to the three hundred and seventy-ninth leaf on the first tree he would be excessively tired of the subject and want to go home to tea. In other words, we fear that by that time he will be, in the common but hideously significant phrase, another man. Now, it is this horrible fairy tale of a man constantly changing into other men that is the soul of the decadence. That John Paterson should, with apparent calm, look forward to being a certain General Barker on Monday, Dr. Macgregor on Tuesday, Sir Walter Carstairs on Wednesday, and Sam Slugg on Thursday, may seem a nightmare; but to that nightmare we give the name of modern culture. One great decadent, who is now dead, published a poem some time ago, in which he powerfully summed up the whole spirit of the movement by declaring that he could stand in the prison yard and entirely comprehend the feelings of a man about to be hanged.
`For he that lives more lives than one
More deaths than one must die.'
And the end of all this is that maddening horror of unreality which descends upon the decadents, and compared with which physical pain itself would have the freshness of a youthful thing. The one hell which imagination must conceive as most hellish is to be eternally acting a play without even the narrowest and dirtiest greenroom in which to be human. And this is the condition of the decadent, of the aesthete, of the free-lover. To be everlastingly passing through dangers which we know cannot scare us, to be taking oaths which we know cannot bind us, to defying enemies who we know cannot conquer us-- this is the grinning tyranny of decadence which is called freedom. "A Defence of Rash Vows," The Defendant

 
I cannot understand the people who take literature seriously; but I can love them, and I do. Out of my love I warn them to keep clear of this book. It is a collection of crude and shapeless papers upon current or rather flying subjects; and they must be published pretty much as they stand. They were written, as a rule, at the last moment; they were handed in the moment before it was too late, and I do not think the commonwealth would have been shaken to its foundations if they had been handed in the moment after. They must go out now, with all their imperfections on their head, or rather on mine; for their vices are too vital to be improved with a blue pencil, or with anything I can think of, except dynamite. All Things Considered

 
But it is best perhaps to take in illustration some daily custom we have all heard despised as vulgar or trite. Take, for the sake of argument, the custom of talking about the weather. Stevenson calls it "the very nadir and scoff of good conversationalists." Now there are very deep reasons for talking about the weather, reasons that are delicate as well as deep; they lie in layer upon layer of stratified sagacity. First of all it is a gesture of primeval worship. The sky must be invoked; and to begin everything with the weather is a sort of pagan way of beginning everything with prayer. Jones and Brown talk about the weather: but so do Milton and Shelley. Then it is an expression of that elementary idea in politeness--equality. For the very word politeness is only the Greek for citizenship. The word politeness is akin to the word policeman: a charming thought. Properly understood, the citizen should be more polite than the gentleman; perhaps the policeman should be the most courtly and elegant of the three. But all good manners must obviously begin with the sharing of something in a simple style. Two men should share an umbrella; if they have not got an umbrella, they should at least share the rain, with all its rich potentialities of wit and philosophy. "For He maketh His sun to shine...." This is the second element in the weather; its recognition of human equality in that we all have our hats under the dark blue spangled umbrella of the universe. Arising out of this is the third wholesome strain in the custom; I mean that it begins with the body and with our inevitable bodily brotherhood. All true friendliness begins with fire and food and drink and the recognition of rain or frost. Those who will not begin at the bodily end of things are already prigs and may soon be Christian Scientists. Each human soul has in a sense to enact for itself the gigantic humility of the Incarnation. Every man must descend into the flesh to meet mankind. What's Wrong with the World

 
If a man has flung away bad ideas he has shown his sense, but if he has flung away good ideas he has shown his genius. He has proved that he actually has that over-pressure of pure creativeness which we see in nature itself, "that of a hundred seeds, she often brings but one to bear." Dickens had to be Malthusian about his spiritual children. Critics have called Keats and others who died young "the great Might-have-beens of literary history." Dickens certainly was not merely a great Might-have-been. Dickens, to say the least of him, was a great Was. Yet this fails fully to express the richness of his talent; for the truth is that he was a great Was and also a great Might-have-been. He said what he had to say, and yet not all he had to say. Wild pictures, possible stories, tantalising and attractive trains of thought, perspectives of adventure, crowded so continually upon his mind that at the end there was a vast mass of them left over, ideas that he literally had not the opportunity to develop, tales that he literally had not the time to tell. This is shown clearly in his private notes and letters, which are full of schemes singularly striking and suggestive, schemes which he never carried out. It is indicated even more clearly by these Christmas Stories, collected out of the chaotic opulence of Household Words and All the Year Round. He wrote short stories actually because he had not time to write long stories. He often put into the short story a deep and branching idea which would have done very well for a long story; many of his long stories, so to speak, broke off short. This is where he differs from most who are called the Might-have-beens of literature. Marlowe and Chatterton failed because of their weakness. Dickens failed because of his force. Appreciations and Criticisms of the Works of Charles Dickens

 
As soon as I had clearly in my mind this conception of something solid in the solitary and unique character of the divine story, it struck me that there was exactly the same strange and yet solid character in the human story that had led up to it; because that human story also had a root that was divine. I mean that just as the Church seems to grow more remarkable when it is fairly compared with the common religious life of mankind, so mankind itself seems to grow more remarkable when we compare it with the common life of nature. And I have noticed that most modern history is driven to something like sophistry, first to soften the sharp transition from animals to men, and then to soften the sharp transition from heathens to Christians. Now the more we really read in a realistic spirit of those two transitions the sharper we shall find them to be. It is because the critics are not detached that they do not see this detachment; it is because they are not looking at things in a dry light that they cannot see the difference between black and white. It is because they are in a particular mood of reaction and revolt that they have a motive for making out that all the white is dirty grey and the black not so black as it is painted. I do not say there are not human excuses for their revolt; I do not say it is not in some ways sympathetic; what I say is that it is not in any way scientific. An iconoclast may be indignant; an iconoclast may be justly indignant; but an iconoclast is not impartial. And it is stark hypocrisy to pretend that nine-tenths of the higher critics and scientific evolutionists and professors of comparative religion are in the least impartial. Why should they be impartial, what is being impartial, when the whole world is at war about whether one thing is a devouring superstition or a divine hope? I do not pretend to be impartial in the sense that the final act of faith fixes a man's mind because it satisfies his mind. But I do profess to be a great deal more impartial than they are; in the sense that I can tell the story fairly, with some sort of imaginative justice to all sides; and they cannot. I do profess to be impartial in the sense that I should be ashamed to talk such nonsense about the Lama of Thibet as they do about the Pope of Rome, or to have as little sympathy with Julian the Apostate as they have with the Society of Jesus. They are not impartial; they never by any chance hold the historical scales even; and above all they are never impartial upon this point of evolution and transition. They suggest everywhere the grey gradations of twilight, because they believe it is the twilight of the gods. I propose to maintain that whether or no it is the twilight of gods, it is not the daylight of men. The Everlasting Man

 
It may be admitted that the man amassing millions is a bit of an idiot; but it may be asked in what sense does he rule the modern world. The answer to this is very important and rather curious. The evil enigma for us here is not the rich, but the Very Rich. The distinction is important; because this special problem is separate from the old general quarrel about rich and poor that runs through the Bible and all strong books, old and new. The special problem to-day is that certain powers and privileges have grown so world-wide and unwieldy that they are out of the power of the moderately rich as well as of the moderately poor. They are out of the power of everybody except a few millionaires-- that is, misers. In the old normal friction of normal wealth and poverty I am myself on the Radical side. I think that a Berkshire squire has too much power over his tenants; that a Brompton builder has too much power over his workmen; that a West London doctor has too much power over the poor patients in the West London Hospital.

But a Berkshire squire has no power over cosmopolitan finance, for instance. A Brompton builder has not money enough to run a Newspaper Trust. A West End doctor could not make a corner in quinine and freeze everybody out. The merely rich are not rich enough to rule the modern market. The things that change modern history, the big national and international loans, the big educational and philanthropic foundations, the purchase of numberless newspapers, the big prices paid for peerages, the big expenses often incurred in elections-- these are getting too big for everybody except the misers; the men with the largest of earthly fortunes and the smallest of earthly aims. A Miscellany of Men

 
The most ancient of human institutions has an authority that may seem as wild as anarchy. Alone among all such institutions it begins with a spontaneous attraction; and may be said strictly and not sentimentally to be founded on love instead of fear. The attempt to compare it with coercive institutions complicating later history has led to infinite illogicality in later times. It is as unique as it is universal. There is nothing in any other social relations in any way parallel to the mutual attraction of the sexes. By missing this simple point, the modern world has fallen into a hundred follies. The Superstition of Divorce

 
It is customary to complain of the bustle and strenuousness of our epoch. But in truth the chief mark of our epoch is a profound laziness and fatigue; and the fact is that the real laziness is the cause of the apparent bustle. Take one quite external case; the streets are noisy with taxicabs and motorcars; but this is not due to human activity but to human repose. There would be less bustle if there were more activity, if people were simply walking about. Our world would be more silent if it were more strenuous. And this which is true of the apparent physical bustle is true also of the apparent bustle of the intellect. Most of the machinery of modern language is labour-saving machinery; and it saves mental labour very much more than it ought. Scientific phrases are used like scientific wheels and piston-rods to make swifter and smoother yet the path of the comfortable. Long words go rattling by us like long railway trains. We know they are carrying thousands who are too tired or too indolent to walk and think for themselves. It is a good exercise to try for once in a way to express any opinion one holds in words of one syllable. If you say "The social utility of the indeterminate sentence is recognized by all criminologists as a part of our sociological evolution towards a more humane and scientific view of punishment," you can go on talking like that for hours with hardly a movement of the gray matter inside your skull. But if you begin "I wish Jones to go to gaol and Brown to say when Jones shall come out," you will discover, with a thrill of horror, that you are obliged to think. The long words are not the hard words, it is the short words that are hard. There is much more metaphysical subtlety in the word "damn" than in the word "degeneration." Orthodoxy

 
That peril is that the human intellect is free to destroy itself. Just as one generation could prevent the very existence of the next generation, by all entering a monastery or jumping into the sea, so one set of thinkers can in some degree prevent further thinking by teaching the next generation that there is no validity in any human thought. It is idle to talk always of the alternative of reason and faith. Reason is itself a matter of faith. It is an act of faith to assert that our thoughts have any relation to reality at all. If you are merely a sceptic, you must sooner or later ask yourself the question, "Why should ANYTHING go right; even observation and deduction? Why should not good logic be as misleading as bad logic? They are both movements in the brain of a bewildered ape?" The young sceptic says, "I have a right to think for myself." But the old sceptic, the complete sceptic, says, "I have no right to think for myself. I have no right to think at all." Orthodoxy

 
Anarchy is that condition of mind or methods in which you cannot stop yourself. It is the loss of that self-control which can return to the normal. It is not anarchy because men are permitted to begin uproar, extravagance, experiment, peril. It is anarchy when people cannot end these things. It is not anarchy in the home if the whole family sits up all night on New Year's Eve. It is anarchy in the home if members of the family sit up later and later for months afterwards. . . . It is not anarchy to have a picnic; but it is anarchy to lose all memory of mealtimes. . . . It is this inability to return within rational limits after a legitimate extravagance that is the really dangerous disorder. The modern world is like Niagara. It is magnificent, but it is not strong. It is as weak as water --- like Niagara. The objection to a cataract is not that it is deafening or dangerous or even destructive, it is that it cannot stop. Now it is plain that this sort of chaos can possess the powers that rule a society as easily as the society so ruled. Eugenics and Other Evils

 
I have never managed to lose my old conviction that travel narrows the mind. At least a man must make a double effort of moral humility and imaginative energy to prevent it from narrowing his mind. Indeed there is something touching and even tragic about the thought of the thoughtless tourist, who might have stayed at home loving Laplanders, embracing Chinamen, and clasping Patagonians to his heart in Hampstead or Surbiton, but for his blind and suicidal impulse to go and see what they looked like. This is not meant for nonsense; still less is it meant for the silliest sort of nonsense, which is cynicism. The human bond that he feels at home is not an illusion. On the contrary, it is rather an inner reality. Man is inside all men. In a real sense any man may be inside any men. But to travel is to leave the inside and draw dangerously near the outside. So long as he thought of men in the abstract, like naked toiling figures in some classic frieze, merely as those who labor and love their children and die, he was thinking the fundamental truth about them. By going to look at their unfamiliar manners and customs he is inviting them to disguise themselves in fantastic masks and costumes. Many modern internationalists talk as if men of different nationalities had only to meet and mix and understand each other. In reality that is the moment of supreme danger--the moment when they meet. We might shiver, as at the old euphemism by which a meeting meant a duel. "What is America?" from What I Saw in America

 
The Thomist movement in metaphysics, like the Franciscan movement in morals and manners, was an enlargement and a liberation, it was emphatically a growth of Christian theology from within; it was emphatically not a shrinking of Christian theology under heathen or even human influences. The Franciscan was free to be a friar, instead of being bound to be a monk. But he was more of a Christian, more of a Catholic, even more of an ascetic. So the Thomist was free to be an Aristotelian, instead of being bound to be an Augustinian. But he was even more of a theologian; more of an orthodox theologian; more of a dogmatist, in having recovered through Aristotle the most defiant of all dogmas, the wedding of God with Man and therefore with Matter. Nobody can understand the greatness of the thirteenth century, who does not realise that it was a great growth of new things produced by a living thing. In that sense it was really bolder and freer than what we call the Renaissance, which was a resurrection of old things discovered in a dead thing. In that sense medievalism was not a Renascence, but rather a Nascence. It did not model its temples upon the tombs, or call up dead gods from Hades. It made an architecture as new as modern engineering; indeed it still remains the most modern architecture. Only it was followed at the Renaissance by a more antiquated architecture. In that sense the Renaissance might be called the Relapse. Whatever may be said of the Gothic and the Gospel according to St. Thomas, they were not a Relapse. It was a new thrust like the titanic thrust of Gothic engineering; and its strength was in a God who makes all things new. St. Thomas Aquinas

 
There is a shrewd warning to be given to all people who are in revolt. And in the present state of things, I think all men are revolting in that sense; except a few who are evolting in the other sense. But the warning to Socialists and other revolutionaries is this: that as sure as fate, if they use any argument which is atheistic or materialistic, hat argument will always be turned against them at last by the tyrant and the slave. To-day I saw one too common Socialist argument turned Tory, so to speak, in a manner uite startling and insane. I mean that modern doctrine, taught, I believe, by most followers of Karl Marx, which is called the materialist theory of history. The theory is, oughly, this: that all the important things in history are rooted in an economic motive. In short, history is a science; a science of the search for food.

Now I desire, in passing only, to point out that this is not merely untrue, but actually the reverse of the truth. It is putting it too feebly to say that the history of man is not only economic. Man would not have any history if he were only economic. The need for food is certainly universal, so universal that it is not even human. Cows have an economic motive, and apparently (I dare not say what ethereal delicacies may be in a cow) only an economic motive. The cow eats grass anywhere and never eats anything else. In short, the cow does fulfil the materialist theory of history: that is why the cow has no history. "A History of Cows" would be one of the simplest and briefest of standard works. But if some cows thought it wicked to eat long grass and persecuted all who did so; if the cow with the crumpled horn were worshipped by some cows and gored to death by others; if cows began to have obvious moral preferences over and above a desire for grass, then cows would begin to have a history. They would also begin to have a highly unpleasant time, which is perhaps the same thing. A Miscellany of Men

 
It is admitted, one may hope, that common things are never commonplace. Birth is covered with curtains precisely because it is a staggering and monstrous prodigy. Death and first love, though they happen to everybody, can stop one's heart with the very thought of them. But while this is granted, something further may be claimed. It is not merely true that these universal things are strange; it is moreover true that they are subtle. In the last analysis most common things will be found to be highly complicated. Some men of science do indeed get over the difficulty by dealing only with the easy part of it: thus, they will call first love the instinct of sex, and the awe of death the instinct of self-preservation. But this is only getting over the difficulty of describing peacock green by calling it blue. There is blue in it. That there is a strong physical element in both romance and the Memento Mori makes them if possible more baffling than if they had been wholly intellectual. No man could say exactly how much his sexuality was colored by a clean love of beauty, or by the mere boyish itch for irrevocable adventures, like running away to sea. No man could say how far his animal dread of the end was mixed up with mystical traditions touching morals and religion. It is exactly because these things are animal, but not quite animal, that the dance of all the difficulties begins. The materialists analyze the easy part, deny the hard part and go home to their tea. What's Wrong with the World